ticketsMember | Make a donation
Search

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 38 results for Pompeo della Cesa
Sort By:
Portions of an Armor for Vincenzo Luigi di Capua (d. 1627)
Pompeo della Cesa
ca. 1595
Backplate of an Armor for Vincenzo Luigi di Capua (d. 1627)
Pompeo della Cesa
ca. 1595
Portions of an Armor for Vincenzo Luigi di Capua (d. 1627)
Pompeo della Cesa
ca. 1595
Close Helmet with Falling Buffe
Pompeo della Cesa
ca. 1590–95
Close Helmet
Pompeo della Cesa
ca. 1585
Close-Helmet for the Tournament on Foot
the Master of the Castle Mark
ca. 1600–1610
St. Paul, Hermit
Salvator Rosa
1615–73
Mars and Venus United by Love
Paolo Veronese (Paolo Caliari)
1570s
The Departure of Saints Paula and Eustochium for the Holy Land
Giuseppe Bottani
Album Containing Architectural, Ornament, and Figure Drawings
Giovanni Battista Mola
1630–31
The Agony in the Garden
ca. 1504
The Meeting of Antony and Cleopatra
Giovanni Battista Tiepolo
ca. 1745–47
Portrait of a Woman with a Man at a Casement
Fra Filippo Lippi
ca. 1440
Saint Lawrence Enthroned with Saints and Donors
Fra Filippo Lippi
1440s
Saint Thecla Praying for the Plague-Stricken
Giovanni Battista Tiepolo
1758–59
The Entombment
Moretto da Brescia (Alessandro Bonvicino)
1554
The Triumph of Marius
Giovanni Battista Tiepolo
1729
Project for Interior Wall with Fireplace
Anonymous, Italian, 16th century
16th century
The Battle of Vercellae
Giovanni Battista Tiepolo
1725–29
The Capture of Carthage
Giovanni Battista Tiepolo
1725–29
Allegorical Figure Representing Geometry
Giovanni Battista Tiepolo
1760
A Miracle of Saint Joseph of Cupertino (1603–1663)
Placido Costanzi
1750
The Glorification of the Barbaro Family
Giovanni Battista Tiepolo
ca. 1750
Reconstruction of the present remains of the Theater of Pompey, tome 4, tavola 38 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi
published 1756–57
Seated River God, Nymph with an Oar, and Putto
Giovanni Battista Tiepolo
1696–1770
Ruins of an ancient tomb in the form of a septizonium [ornamental colonnaded building] on the Appian Way near the villa of Pompey the Great, now outside Albano to the west..., tavola 4 from "Antichità d'Albano e di Castel Gandolfo Descritte ed incise da Giovambatista Piranesi" (Antiquities of Albano and of Castel Gandolfo described and etched by Giovambattista Piranesi)
Giovanni Battista Piranesi
1764–70
Allegorical Figure Representing Arithmetic
Giovanni Battista Tiepolo
1760
The Adoration of the Magi
Giovanni Battista Tiepolo
late 1750s
Allegorical Figure Representing Metaphysics
Giovanni Battista Tiepolo
1760
Allegorical Figure Representing Grammar
Giovanni Battista Tiepolo
1760
Allegorical Figure Representing Africa
Giovanni Domenico Tiepolo
Allegorical Figure Representing Europe
Giovanni Domenico Tiepolo
Allegorical Figure Representing Asia
Giovanni Domenico Tiepolo
Allegorical Figures Representing Virtue and Abundance
Giovanni Battista Tiepolo
1760
Allegorical Figure Representing Temperance
Giovanni Battista Tiepolo
1760
Allegorical Figure Representing Fortitude
Giovanni Battista Tiepolo
1760
Allegorical Figure Representing Prudence
Giovanni Battista Tiepolo
1760
Allegorical Figure Representing a Virtue, Possibly Patriotism
Giovanni Battista Tiepolo
1760